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Shows Union positions in black and opposing positions in red, names of field commanders, relief by hachures, drainage, vegetation, roads, railroad and a few houses and names of residents.

"The Battle of Gettysburg" by Edwin Forbes is a panoramic battlefield scene by Edwin Forbes, depicting Pickett’s Charge on July 3, 1863 — the climactic and disastrous Confederate assault on the Union center at Gettysburg. Forbes, who was present at the Battle of Gettysburg, highlights of the Cannon fire and musket smoke creating a hazy battlefield atmosphere. The Union infantry lines are laid out in firing position on the left. A small farmhouse (possibly representing the Codori or Bliss farms) anchors the scene, and Confederate troops and cavalry are seen advancing from the right in what proves to be a drastic mistake by the Confederate command.

This is a reproduction of James Walker's "Battle of Gettysburg" illustration paired with three maps detailing the troop movements of both armies as the three day battle progressed. Map 1 shows troop positions on July 1st pm. Map 2 shows troop positions on July 2nd pm. Map 3 shows troop positions on July 3rd am, the day of the disastrous "Picketts Charge".  The Battle of Gettysburg marked the turning point of the Civil War. With more than 50,000 estimated casualties, the three-day engagement was the bloodiest single battle of the conflict.

"An Exact View of the Late Battle at Charlestown, June 17th, 1775" by Bernard Romans is an early panoramic print of the Battle of Bunker Hill, showing British troops advancing toward the American redoubt on Breed’s Hill while warships in the Charles River bombard the shoreline and flames consume the town of Charlestown. Though not perfectly accurate in terrain or troop placement, the scene emphasizes the overwhelming force of the British assault contrasted with the steadfastness of the American defenders behind their fortifications. The rising smoke and chaos serve as both documentation and propaganda, portraying the colonists as valiant underdogs facing imperial aggression.

"General Francis Marion at the Battle of Eutaw Springs" by Thomas B. Welch depicts Francis Marion, known as the "Swamp Fox," leading his militia men at the Battle of Eutaw Springs (September 8, 1781), one of the last major battles of the American Revolution in the Southern theater. His contributions were vital to the American forces under General Nathanael Greene in South Carolina. Marion led a brigade of South Carolina militia, which was part of the advance line of Greene’s forces. His men, along with other militia units, opened the battle by engaging the British pickets. Marion’s militia, alongside Brigadier General Andrew Pickens' troops, initially clashed with the British under Colonel Alexander Stewart. The militia fought well but eventually fell back as planned, allowing Greene’s Continental Army regulars to move forward and continue the attack. Though the battle ended with neither side claiming a decisive victory, it weakened British control in South Carolina. The British forces at Eutaw Springs suffered heavy casualties and were forced to retreat to Charleston, effectively losing their hold on the state. Marion continued leading guerrilla operations against British outposts until the war’s end.

Museum quality fine art giclee reproduction printed on artist grade canvas. Wrapped on 1.75" pine stretcher bars

"Washington at the Battle of Princeton" depicts General George Washington during the Battle of Princeton on January 3, 1777, one of the crucial battles of the American Revolutionary War. The painting captures a dramatic moment when Washington leads a counterattack, rallying his troops to victory against British forces. Chappel’s detailed portrayal of Washington's leadership during the battle emphasizes both the intensity of the conflict and the significance of Washington's role in securing American independence.

A tailgating go-to with a superfan spin! This cornhole game set wins on quality construction and performance. The regulation 2’x4’ all-wood board is 15mm thick and features striking team graphics printed directly on the surface for long-lasting durability. It’s what every game-day party needs!

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This is a reproduction of John Trumbull's The Battle of Bunker Hill, June 17, 1775 oil painting. The painting depicts the bloody fighting that took place throughout a hilly landscape of fenced pastures that were situated across the Charles River from Boston. Though the British forces claimed the field, the casualties inflicted by the Provincial solders from Massachusetts, Connecticut, and New Hampshire were staggering. Of the some 2,400 British soldiers and Marines engaged, some 1,000 were wounded or killed.

"Washington at the Battle of Harlem Plains, 1776" by John Ward Dunsmore is a historical painting that captures a pivotal moment during the early stages of the American Revolutionary War. This work by Dunsmore illustrates General George Washington's leadership during the Battle of Harlem Heights (often referred to as Harlem Plains), fought on September 16, 1776. This battle was a morale-boosting victory for the Continental Army following the defeats at Long Island and Kips Bay. It demonstrated the capability of American forces to stand against British troops in a disciplined engagement.

"The Death of Major Ringgold at the Battle of Palo Alto" by Alonzo Chappel depicts the dramatic and heroic moment of Major Samuel Ringgold’s death during the Battle of Palo Alto in the Mexican-American War (May 8, 1846). Ringgold, known as the "Father of Modern Artillery," played a crucial role in pioneering the use of flying artillery - highly mobile cannons that greatly influenced the battle’s outcome. Chappel portrays the moment with intense realism, showing Ringgold wounded yet steadfast, surrounded by fellow soldiers in the midst of battle.

Percy Moran's iconic painting, Washington Inspecting the Captured Colors After the Battle of Trenton, captures a pivotal moment in American history with remarkable detail and emotion. Set against the wintry backdrop of Trenton, New Jersey, the artwork portrays General George Washington as a commanding and stoic figure, standing in the foreground, flanked by his officers. He gazes upon the captured British flags, known as "colors," with a mix of pride and determination, symbolizing the American victory in a daring Christmas night attack on Hessian forces. Moran's masterful use of light and shadow adds depth to the scene, highlighting the tattered flags and the faces of the weary soldiers who achieved this pivotal triumph in the American Revolutionary War. This painting not only commemorates a significant military victory but also evokes the spirit of resilience and patriotism that defined the American struggle for independence.

A premium hand-wrapped giclée canvas. Created to last. Individually hand wrapped to very high standards. Printed and inspected one at a time utilizing the latest archival ultrachrome® giclée inks. Each piece includes hanging accessories and is ready to hang. You need only apply an anchor to the wall of your choice.

Shows Union positions in black and opposing positions in red, names of field commanders, relief by hachures, drainage, vegetation, roads, railroad, and a few houses and names of residents.

This depicts Parson Caldwell ("The Fighting Parson") after he has broken into the church to gather hymn books so that the soldiers had paper for wadding for their muskets. While Washington's army was encamped at Morristown the British made several attempts to advance in that direction in the hope of capturing the American supplies. In one of these raids, early in June 1780, they reached the village of Connecticut Farms (now Union). Here they met with such stiff resistance from the Patriots, that they were beaten back, but before retreating, a British soldier, in cold blood, shot the wife of Parson Caldwell, who was alone in the parsonage with her children. Parson Caldwell was with Washington's troops, and this atrious action only made him more bitter against the Red Coats. Two weeks later the British, in great force, made another advance, this time reaching Springfield, the next town beyond Union. Here they were met with a vigorous resistance from the Americans, and Parson Caldwell was in the front rank of the fighters. The soldiers, getting short of paper for wadding for their muskets, the Parson broke open the chruch door and soon appeared with an armful of hymn books (Watts Hymns), which he threw out, saying "Give 'em Watts, Boys! Give 'em Watts!". The troops represented here are the New Jersey Militia and Colonel Angell's Rhode Island Regiment.

This is a reproduction of Amos Doolittle's Battle of Lexington, April 19th, 1775 Plate 1. Amos enlisted in the Patriot army, and joined the troops at Cambridge, Mass. just ten days after the Battles of Lexington and Concord. Tagging along with him on the ride to Cambridge was his artist friend Ralph Earl. They both visited the battlefields of Lexington and Concord, and sought out eyewitnesses and minutemen who fought the battles. He asked them what happened, where and when, and then he told Earl what to draw. From Earl’s drawings and the eyewitness accounts he gathered, Amos Doolittle engraved four copper plates of the battle. The first print shows the Battle of Lexington, with Maj. Pitcairn at the head of the regular grenadiers. It also shows the party who first fired on the provincials at Lexington, part of the Provincial company of Lexington and the British regular companies on the road to Concord.

"Washington Watching the Battle of Long Island 1776" by John Ward Dunsmore portrays General George Washington overseeing with his staff one of the early battles of the American Revolution. The Battle of Long Island (also known as the Battle of Brooklyn) was a critical event in 1776, marking a challenging moment for the Continental Army as they faced a superior British force.

We've combined H. Charles McBarron's painting Battle of Guilford Court House, a powerful visual narrative that brings to life the historic Battle of Guilford, with the Battle of Guildford Battlefield Map, fought on the 15th of March 1781. A unique remembrance of that pivotal moment in the Revolutionary War that ultimately lead to the Surrender of Lord Cornwallis in Yorktown

This is a reproduction of John Trumbull's The Death of General Mercer at the Battle of Princeton, January 3, 1777 oil painting. The painting depicts the depicting the death of the American General Hugh Mercer at the Battle of Princeton. At the center, American General Hugh Mercer, with his dead horse beneath him, is shown mortally wounded. Mercer was commanding the leading division of the Continental Army when attacked by British Colonel Charles Mawhood near Princeton, New Jersey. Mercer's horse was killed and he was attacked by two grenadiers. The British were in control of the battle at this moment.

"War of 1812, Battle of Chippewa" by H. Charles McBarron vividly depicts one of the most significant engagements of the War of 1812. The Battle of Chippewa, fought on July 5, 1814, in present-day Ontario, Canada, was a pivotal moment that showcased the capability of the United States Army in a disciplined and professional manner against the British Army. The Battle of Chippewa was a significant victory for the United States during the War of 1812. It demonstrated that the U.S. Army, under General Winfield Scott, could match the professionalism and discipline of the British regulars. This victory boosted American morale and marked a turning point in the war, though it was followed by mixed outcomes in subsequent battles.

This is a unique combination of The Battle of Fredericksburg by Edwin Forbes paired with a detailed map of the battles of Fredericksburg, Chancellorsville, The Wilderness and Spottsylvania. The Battle of Fredericksburg by Edwin Forbes is a detailed and dynamic illustration of one of the most significant and bloody battles of the American Civil War, fought from December 11 to December 15, 1862. Forbes, known for his detailed and realistic wartime sketches, captures the chaos and intensity of the Union assault on Rebel positions in Fredericksburg, Virginia on the morning of Sunday, December 13, 1862.

"Battle of Monmouth (Washington Rebukes Lee) 1778" by John Ward Dunsmore depicts the intense confrontation between General George Washington and General Charles Lee during the Battle of Monmouth on June 28, 1778. The battle was one of the largest in the Revolution and took place in New Jersey during a sweltering summer day. General Charles Lee, who was second-in-command, ordered a retreat in the face of the British forces, which caused disarray among the Continental Army. Washington, upon encountering the retreating troops and learning of Lee's actions, was incensed. According to historical accounts, Washington rode onto the battlefield and vehemently rebuked Lee for his failure to hold the line. This event became a defining moment for Washington’s leadership and contributed to bolstering his reputation as a decisive and exemplary leader.

Museum quality fine art giclee reproduction printed on artist grade canvas. Wrapped and framed in a two inch black ornate wood frame.

This wall art is handcrafts high-quality ready-to-hang canvas art that turns any wall into an art gallery. Our gorgeous canvases will add beauty, color, and personality to any space and have a beautiful texture, look, and feel of fine art. The art is printed on premium artist-grade canvas using genuine Epson archival inks (fade and water-resistant with a life expectancy of over 100 years). Every image we print is reviewed by our in-house graphics team for quality, color, and detail. Each canvas is a professionally hand-stretched American pine wood frame. It is a great gift idea for: birthdays, anniversaries, housewarmings, weddings, and all gift-giving holidays: Christmas, Hanukkah, Mother's & Father's Day, Valentine's Day...

I have just recently begun redecorating my Den. This picture will be perfect for that.. John. Bakersfield, CA. Wed Jun 09 2021

Emmor Cope was an American Civil War officer of the Union Army noted for the "Map of the Battlefield of Gettysburg from the original survey made August to October, 1863", which he researched by horseback as a sergeant after being ordered back to Gettysburg by Maj. Gen. George G. Meade. It is the first blueprint map of the Battlefield with detail of each of the Confederate and Union line positioning of troops and artillery.

"Washington at the Battle of Monmouth" by Alonzo Chappel depicts General George Washington at the Battle of Monmouth, which took place on June 28, 1778, during the American Revolutionary War. Chappel, known for his detailed and dramatic historical scenes, captures Washington in the heat of battle, leading his troops against the British forces. The composition emphasizes Washington’s leadership and determination, portraying him on horseback, commanding his soldiers. The Battle of Monmouth was a turning point in the war, as it demonstrated the effectiveness of the newly trained Continental Army under Baron von Steuben’s guidance. This battle is also famous for the legendary story of Molly Pitcher, a woman who supposedly took her husband's place at a cannon after he collapsed.

'Battle of Gettysburg' civil war professional grade glossy poster is the perfect accent for any room in the house.

This contemporary wall art brings a refined aesthetic to any space. Perfect for living rooms, bedrooms, offices, or commercial interiors, it enhances décor with timeless appeal. Featuring Retro, vintage, classic, horse, u.s., state, and 178591, this large wall art piece complements modern and traditional design styles alike. Ideal for creating a warm, sophisticated atmosphere in homes, hotels, and design projects.Related Subject/Style: Animals, People, U.S. States & Territories, 178591, PAN419581, Photography, Color Image, Horizontal, Q74923, Hars, Cpc001, B&W, Black And White, 1800s, 1860s

The Battle of the Monitor and the Merrimack, also known as the Battle of Hampton Roads, was a historic naval engagement that took place during the American Civil War. It occurred on March 9, 1862, off the coast of Hampton Roads, Virginia. In the battle, these two ironclads faced off in a historic confrontation, marking the first-ever battle between ironclad warships. The battle itself ended inconclusively, with neither side able to decisively defeat the other, but it represented a pivotal moment in naval warfare. The ironclad era had begun, forever changing the nature of naval warfare and rendering wooden warships obsolete.