A&T ARTWORK

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16.5" H x 28.5" W x 1" D, Gold Framed

The Coronation of Napoleon and the Coronation of Josephine at Notre Dame de Paris

By A&T ARTWORK

20" H x 16" W

The Lady in Gold by Gustav Klimt, also known as Portrait of Adele Bloch-Bauer I, showcases Klimt's iconic golden style and elegance, making it a timeless masterpiece perfect for home decor.

Not as expected… would like to return. Joyceellen. West Orange, NJ. Mon Nov 24 2025

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Circe Invidiosa is a painting by John William Waterhouse completed in 1892. It is his second depiction, after Circe Offering the Cup to Ulysses (1891), of the classical mythological character Circe. This particular mythological portrayal is based on Ovid's tale in Metamorphoses, wherein Circe turns Scylla into a sea monster, solely because Glaucus scorned the enchantress' romantic advances in hopes of attaining Scylla's love instead. Waterhouse later returned to the subject of Circe a third time with The Sorceress (1911). Circe Invidiosa is part of the collection of the Art Gallery of South Australia, which also owns Waterhouse's 1883 The Favourites of the Emperor Honorius.

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Wrapped Canvas, 16" H x 30" W x 0.75" D

The Creation of Adam (Italian: Creazione di Adamo) is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis. The image of the near-touching hands of God and Adam has become iconic of humanity. The painting has been reproduced in countless imitations and parodies. Michelangelo's Creation of Adam is one of the most replicated religious paintings of all time.

I love this! High quality printing. Vivid color. Great frame as well. A lot better in person. Definitely worth the price. Highly recommended!!. Vivianne. Seattle, WA. Wed Jan 07 2026

By A&T ARTWORK

36" H x 24" W x 1.5" D, Wrapped Canvas

"The Vitruvian Man" wall art, inspired by Leonardo da Vinci, showcases the harmony of human anatomy and geometry in stunning detail.

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The Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It was previously in the Isabella Stewart Gardner Museum in Boston but was stolen in 1990 and remains missing. The painting depicts the miracle of Jesus calming the storm on the Sea of Galilee, specifically as it is described in the fourth chapter of the Gospel of Mark.It is Rembrandt's only seascape.

By A&T ARTWORK

34.5" H x 28.5" W x 1.5" D

The Lady in Gold by Gustav Klimt, also known as Portrait of Adele Bloch-Bauer I, showcases Klimt's iconic golden style and elegance, making it a timeless masterpiece perfect for home decor.

Stunning ! She’s gorgeous and will make any room light up. Anonymous. Sun Aug 03 2025

By A&T ARTWORK

24" H x 45" W x 1.5" D

Water Lilies by Claude Monet

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The Fall of the Rebel Angels is an oil painting by the Italian late Baroque artist Luca Giordano, painted in c. 1666, and now exhibited at the Kunsthistorisches Museum, Vienna. Its dimensions are 419 × 283 cm. The work was most probably performed during the Venetian period of Giordano and the two strongest influences that the Neapolitan painter had during his life are evident in the canvas. The lower part of the painting, characterized by the presence of the demons defeated by the archangel Michael, shows a clear rebellious imprint in the chiaroscuro features of the scene; while the upper part, characterized by the figure of the saint, shows evident influences of Venetian painting. The image of Saint Michael mirrors that of classical iconography, showing its spread wings, with a sword, with a heavenly dress and a red cape; intent on expelling the demons that came from the underworld on the earth. The only differences that there are with another painting to the same subject, always performed by Giordano a few years earlier (1663) and now kept at the Gemäldegalerie of Berlin, is that in this work of Vienna's saint is portrayed holding a sword instead of a lance and that his head is uncovered without helmet.

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The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil painting by French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night. Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval. Instead, it entered the private collection of a Parisian charcoal merchant where it remained until 1924, when it was discovered by the art critic Louis Vauxcelles. The Paris-based art dealer Daniel-Henry Kahnweiler purchased the painting in 1924, although a controversy arose over whether the painting was a forgery. It was acquired by art historian Alfred H. Barr Jr. for the New York Museum of Modern Art. Rousseau described his painting as follows: "A wandering Negress, a mandolin player, lies with her jar beside her (a vase with drinking water), overcome by fatigue in a deep sleep. A lion chances to pass by, picks up her scent yet does not devour her. There is a moonlight effect, very poetic."

By A&T ARTWORK

36" H x 16" W x 1.5" D

Circe Invidiosa is a painting by John William Waterhouse completed in 1892. It is his second depiction, after Circe Offering the Cup to Ulysses (1891), of the classical mythological character Circe. This particular mythological portrayal is based on Ovid's tale in Metamorphoses, wherein Circe turns Scylla into a sea monster, solely because Glaucus scorned the enchantress' romantic advances in hopes of attaining Scylla's love instead. Waterhouse later returned to the subject of Circe a third time with The Sorceress (1911). Circe Invidiosa is part of the collection of the Art Gallery of South Australia, which also owns Waterhouse's 1883 The Favourites of the Emperor Honorius.

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"The Virgin in Prayer" by Sassoferrato captures serene devotion, perfect as elegant, timeless wall decor.

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The Musical Angel is a fragment of a lost altarpiece which probably depicted the Madonna and Child with Saints. Rosso was one of the principle exponents of early sixteenth century painting in Florence; both he and Pontormo were students of Andrea del Sarto. He brought Florentine mannerism to France where he was called by King Francis I to fresco the palace at Fontainebleau.

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Gustav Klimt - Dame mit Fächer

By A&T ARTWORK

20" H x 16" W

Wanderer above the Sea of Fog (German: Der Wanderer über dem Nebelmeer), also known as Wanderer above the Mist or Mountaineer in a Misty Landscape, is an oil painting c. 1818 by the German Romantic artist Caspar David Friedrich. It has been considered one of the masterpieces of Romanticism and one of its most representative works. It currently resides in the Kunsthalle Hamburg in Hamburg, Germany.

By A&T ARTWORK

16" H x 20" W

The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June 1889, it describes the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an ideal village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Regarded as among Van Gogh's finest works,[4] The Starry Night is one of the most recognized paintings in the history of Western culture.

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Girl with a Pearl Earring (Dutch: Meisje met de parel) is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it became known by its present title towards the end of the 20th century after the large pearl earring worn by the girl portrayed there. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary treatments. In 2006, the Dutch public selected it as the most beautiful painting in the Netherlands.

By A&T ARTWORK

45" H x 36" W x 1.5" D

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

20" H x 16" W

"The Virgin in Prayer" by Sassoferrato captures serene devotion, perfect as elegant, timeless wall decor.

By A&T ARTWORK

Perhaps more than the work of his two teachers, Boucher and Chardin, Jean-Honoré Fragonard's bravura handling of brushwork and color embodies eighteenth-century painting aesthetics. In A Young Girl Reading, the subject is shown in profile holding a book in her right hand and completely absorbed in her reading. She appears to be sitting in a window as light illuminates her face and body, casting a faint shadow against the wall. She wears a lemon-yellow dress with a white collar and cuffs accented with lilac ribbons at her bodice, neck, and hair. She is resting on fluffy pillows rendered in warm brown tones and highlighted in light purple. Each texture is rendered in a different brushstroke: her dress a thick weave of yellow and white, the pillows more loosely sketched, and her collar edged with the handle of the brush. As in Chardin's Soap Bubbles, the viewer has the illusion he is privy to an intimate moment. However, in Fragonard's work, the bright yellow of the girl's dress and the agitated strokes clash with the solitude associated with reading.

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Portrait of an Unknown Woman, also known as The Unknown Woman, An Unknown Lady or Stranger (Russian: Неизвестная, tr. Neizvestnaya) is an oil painting by the Russian artist Ivan Kramskoi, painted in 1883. The model, whose identity is unknown, is a woman of "quiet strength and forthright gaze". It is one of Russia's best-known art works, although a number of critics were indignant when the painting was first exhibited and condemned what they saw as a depiction of a haughty and immoral woman. Its popularity has grown with changes in public taste. The painting hangs in the Tretyakov Gallery, Moscow, while an earlier version, also dated 1883, is housed at the Kunsthalle Kiel.

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20" H x 16" W

Renoir made a trip to Italy in 1881-82 and was deeply influenced by Renaissance art. After this trip he began to explore a new manner of painting, different from impressionism. He started to emphasize contours and modeling, abandoned the principle that scenes should be painted outdoors to capture light and atmosphere. Late in the summer of 1883, Renoir spent about a month in St. Peter Port, the capital of Guernsey, and admired the rocks, cliffs and stunning view of Moulin Huet Bay in St. Martin. He painted the starts of fifteen pictures during his stay, most of which were finished later in his Paris studio. Guernsey lies 48 km off the coast of mainland Normandy. Both share the same geology and Guernsey fulfills the "by the sea" criterion in the exhibition title. However, By the Seashore is thought to have been painted in the artist's studio. The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot, his then girlfriend, whom he married in 1890. The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.

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Lady with an Ermine (Italian: Dama con l'ermellino [ˈdaːma kon lermelˈliːno]; Polish: Dama z gronostajem) is a painting by Italian artist Leonardo da Vinci from around 1489–1490 and one of Poland's national treasures. The portrait's subject is Cecilia Gallerani, painted at a time when she was the mistress of Ludovico Sforza, Duke of Milan, and Leonardo was in the Duke's service. It is one of only four portraits of women painted by Leonardo, the others being the Mona Lisa, the portrait of Ginevra de' Benci, and La belle ferronnière. The Princes Czartoryski Collection, including the Lady with an Ermine, was sold for €100 million on 29 December 2016 to the Polish government by Princes Czartoryski Foundation, represented by Adam Karol Czartoryski, the last direct descendant of Izabela Czartoryska Flemming and Adam George Czartoryski, who brought the painting to Poland from Italy in 1798. he painting is currently located at the Czartoryski Museum in Kraków.

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The Fall of the Damned, alternately known as The Fall of the Rebel Angels is a monumental c. 1620 religious painting by Peter Paul Rubens. It features a jumble of the bodies of the damned, hurled into abyss by archangel Michael and accompanying angels.

By A&T ARTWORK

20" H x 16" W

Sunflowers (original title, in French: Tournesols) is the name of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his Les XX in Bruxelles exhibit.

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The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael's commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens, representing Philosophy, was probably the third painting to be finished there, after La Disputa (Theology) on the opposite wall, and the Parnassus (Literature). The picture has long been seen as "Raphael's masterpiece and the perfect embodiment of the classical spirit of the Renaissance". The painting is notable for its accurate perspective projection.

By A&T ARTWORK

The Lady in Gold by Gustav Klimt, also known as Portrait of Adele Bloch-Bauer I, showcases Klimt's iconic golden style and elegance, making it a timeless masterpiece perfect for home decor.

By A&T ARTWORK

20" H x 16" W

The Dance Class is an 1874 painting by Edgar Degas. It is in the collection of the Metropolitan Museum of Art. The painting and its companion work in the Musée d'Orsay, Paris are amongst the most ambitious works by Degas on the theme of ballet. The imaginary scene depicts a dance class being held under the supervision of Jules Perrot, a famous ballet master, in the old Paris Opera, which had actually burnt down the previous year. The poster on the wall for Rossini’s Guillaume Tell is a tribute to the operatic singer Jean-Baptiste Faure, who had commissioned the work. The picture is on view in the Met Museum's Gallery 815.

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20" H x 16" W

Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it is widely considered to be Leighton's magnum opus, showing his classicist nature. It is thought that the woman portrayed alludes to the figures of sleeping nymphs and naiads the Greeks often sculpted. Flaming June disappeared from view in the early 1900s and was rediscovered only in the 1960s. It was auctioned shortly after, during a period of time known to be difficult for selling Victorian era paintings, where it failed to sell for its low reserve price of US$140 (the equivalent of $1,126 in modern prices). After the auction, it was promptly purchased by the Museo de Arte de Ponce in Ponce, Puerto Rico, where it currently resides.

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A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles mountains. The painting depicts golden fields of ripe wheat, a dark fastigiate Provençal cypress towering like a green obelisk to the right and lighter green olive trees in the middle distance, with hills and mountains visible behind, and white clouds swirling in an azure sky above. The first version (F717) was painted in late June or early July 1889, during a period of frantic painting and shortly after Van Gogh completed The Starry Night, at a time when he was fascinated by the cypress. It is likely to have been painted "en plein air", near the subject, when Van Gogh was able to leave the precincts of the asylum. Van Gogh regarded this work as one of his best summer paintings. In a letter to his brother, Theo, written on 2 July 1889, Vincent described the painting: "I have a canvas of cypresses with some ears of wheat, some poppies, a blue sky like a piece of Scotch plaid; the former painted with a thick impasto like the Monticelli's, and the wheat field in the sun, which represents the extreme heat, very thick too."

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The Kiss (in German Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum. by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar (the lovers) as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere, Vienna, and is considered a masterpiece of Vienna Secession (local variation of Art Nouveau) and Klimt's most popular work.

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Dogs Playing Poker, by Cassius Marcellus Coolidge, refers collectively to an 1894 painting, a 1903 series of sixteen oil paintings commissioned by Brown & Bigelow to advertise cigars, and a 1910 painting. All eighteen paintings in the overall series feature anthropomorphized dogs, but the eleven in which dogs are seated around a card table have become well known in the United States as examples of kitsch art in home decoration. Depictions and reenactments of the series have appeared in many films, television shows, theater productions, and other popular culture art forms. Critic Annette Ferrara has described Dogs Playing Poker as "indelibly burned into ... the American collective-schlock subconscious ... through incessant reproduction on all manner of pop ephemera".

By A&T ARTWORK

34.5" H x 28.5" W

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

25.5" H x 21.5" W

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

22.75" H x 18.75" W x 1" D

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

The painting, combining figures, still-life, and landscape in one work, depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France. The painter and art patron, Gustave Caillebotte, is seated in the lower right. Renoir's future wife, Aline Charigot, is in the foreground playing with a small dog, an affenpinscher; she replaced an earlier woman who sat for the painting but with whom Renoir became annoyed. On the table is fruit and wine. The diagonal of the railing serves to demarcate the two halves of the composition, one densely packed with figures, the other all but empty, save for the two figures of the proprietor's daughter Louise-Alphonsine Fournaise and her brother, Alphonse Fournaise, Jr, which are made prominent by this contrast. In this painting Renoir has captured a great deal of light. The main focus of light is coming from the large opening in the balcony, beside the large singleted man in the hat. The singlets of both men in the foreground and the table-cloth all work together to reflect this light and send it through the whole composition.

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30" H x 24" W x 0.75" D

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

16" H x 20" W

The painting, combining figures, still-life, and landscape in one work, depicts a group of Renoir's friends relaxing on a balcony at the Maison Fournaise restaurant along the Seine river in Chatou, France. The painter and art patron, Gustave Caillebotte, is seated in the lower right. Renoir's future wife, Aline Charigot, is in the foreground playing with a small dog, an affenpinscher; she replaced an earlier woman who sat for the painting but with whom Renoir became annoyed. On the table is fruit and wine. The diagonal of the railing serves to demarcate the two halves of the composition, one densely packed with figures, the other all but empty, save for the two figures of the proprietor's daughter Louise-Alphonsine Fournaise and her brother, Alphonse Fournaise, Jr, which are made prominent by this contrast. In this painting Renoir has captured a great deal of light. The main focus of light is coming from the large opening in the balcony, beside the large singleted man in the hat. The singlets of both men in the foreground and the table-cloth all work together to reflect this light and send it through the whole composition.

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This painting is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877. Though some of his friends appear in the picture, Renoir's main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre. The study of the moving crowd, bathed in natural and artificial light, is handled using vibrant, brightly coloured brushstrokes. The somewhat blurred impression of the scene prompted negative reactions from contemporary critics. This portrayal of popular Parisian life, with its innovative style and imposing format, a sign of Renoir's artistic ambition, is one of the masterpieces of early Impressionism.

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Sunflowers (original title, in French: Tournesols) is the name of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his Les XX in Bruxelles exhibit.

By A&T ARTWORK

22.75" H x 18.75" W

Enhance your space with this elegant Ten Commandments wall art, featuring timeless biblical teachings beautifully displayed on high-quality canvas. Perfect for home, office, or church decor, this piece serves as a daily reminder of faith and values. Ready to hang and crafted with durable, eco-friendly materials.

By A&T ARTWORK

The Disputation of the (Italian: La disputa del ), or Disputa, is a painting by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510 as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. At the time, this room was known as the Stanza della Segnatura, and was the private papal library where the supreme papal tribunal met.

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Wrapped Canvas, 20" H x 16" W

Perhaps more than the work of his two teachers, Boucher and Chardin, Jean-Honoré Fragonard's bravura handling of brushwork and color embodies eighteenth-century painting aesthetics. In A Young Girl Reading, the subject is shown in profile holding a book in her right hand and completely absorbed in her reading. She appears to be sitting in a window as light illuminates her face and body, casting a faint shadow against the wall. She wears a lemon-yellow dress with a white collar and cuffs accented with lilac ribbons at her bodice, neck, and hair. She is resting on fluffy pillows rendered in warm brown tones and highlighted in light purple. Each texture is rendered in a different brushstroke: her dress a thick weave of yellow and white, the pillows more loosely sketched, and her collar edged with the handle of the brush. As in Chardin's Soap Bubbles, the viewer has the illusion he is privy to an intimate moment. However, in Fragonard's work, the bright yellow of the girl's dress and the agitated strokes clash with the solitude associated with reading.

By A&T ARTWORK

Wrapped Canvas, 30" H x 24" W

The Fall of the Damned, alternately known as The Fall of the Rebel Angels is a monumental c. 1620 religious painting by Peter Paul Rubens. It features a jumble of the bodies of the damned, hurled into abyss by archangel Michael and accompanying angels.

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Le Boulevard de Montmartre, Matinée de Printemps is an 1897 oil on canvas painting of Paris' Boulevard Montmartre by the French artist Camille Pissarro. By 1923 it was in the collection of the German industrialist and Holocaust victim Max Silberberg (de). Silberberg was obliged by the ruling Nazi regime to dispose of the work in a forced sale in 1935. It was restituted to his family in 2000 and placed on loan with the Israel Museum until 2013. On 5 February 2014 it was auctioned at Sotheby's, London, for £19,682,500,double its pre-sale

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Wrapped Canvas, 20" H x 16" W

Lady Godiva is an 1898 painting by English artist John Collier, who worked in the style of the Pre-Raphaelite Brotherhood. The portrayal of Lady Godiva and her well-known ride through Coventry, England, is held in Coventry's Herbert Art Gallery and Museum. Lady Godiva was bequeathed by social reformer Thomas Hancock Nunn. When he died in 1937, the painting was offered to the Corporation of Hampstead. He specified in his will that should his bequest be refused by Hampstead, the painting was then to be offered to Coventry.

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36" H x 30" W, Wrapped Canvas

Wanderer above the Sea of Fog (German: Der Wanderer über dem Nebelmeer), also known as Wanderer above the Mist or Mountaineer in a Misty Landscape, is an oil painting c. 1818 by the German Romantic artist Caspar David Friedrich. It has been considered one of the masterpieces of Romanticism and one of its most representative works. It currently resides in the Kunsthalle Hamburg in Hamburg, Germany.

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20" H x 30" W x 0.72" D, Wrapped Canvas

The final painting, Old Age, is an image of death. The man has grown old; he has survived the trials of life. The waters have calmed; the river flows into the waters of eternity. The figurehead and hourglass are missing from the battered boat; the withered old voyager has reached the end of earthly time. In the distance, an angel is descending from heaven, while the guardian angel hovers close, gesturing toward the other. The man is once again joyous with the knowledge that faith has sustained him through life. The landscape is practically gone, just a few rough rocks represent the edge of the earthly world, and dark water stretches onward. Cole describes the scene: "The chains of corporeal existence are falling away; and already the mind has glimpses of Immortal Life."