Vighnaharta Chaturbhuja Ganesha, with his four arms, represents the multifaceted nature of divinity. In his upper right hand, he holds the Pasha. The upper left hand bears an Ankusha, a reminder of purity and enlightenment. His lower right hand is extended in a gesture of Abhaya, bestowing protection upon his devotees, while the lower left hand holds a modak, the sweet delicacy that signifies the rewards of a life lived with wisdom and humility.

Guan Gong was a famous general in the Three Kingdoms period (220–280 CE). In light of his bravery, wisdom, and military prowess—all graphically recorded in the Annals of the Three Kingdoms—later emperors awarded him various posthumous titles, including that of duke (gong). He is also widely seen as a model of Confucian virtues, especially benevolence, justice, courtesy, wisdom, faith, loyalty, righteousness, and courage. His many exploits have been handed down and extolled from generation to generation, culminating in his apotheosis during the Sui dynasty (581–618 CE). In Chinese Buddhist temples, he is venerated as the bodhisattva Guan Di, one of the principal protectors of the Dharma. In Daoism, he is venerated as the Guan Sheng Emperor. He is also worshipped as the God of War, and as a tutelary deity of wealth and literature. In this large piece cast in burgundy, Guan Gong is depicted as the heroic God of War, mounted on the famous horse Red Hare. Gripping his glistening half-crescent spear, the “green dragon crescent blade,” the majestic Guan Gong is clad in armor and clutches his beard with his left hand. The vivid depth of detail in his facial expression, armor, and mount lends the entire piece a lifelike appearance. The flowing cloak and flying mane imbue the work with dynamic energy. The base supporting the horse is in a flower-cloud motif. Guan Gong’s gilded spear is made of composite metal and inlaid with zircon, and is held in place by nothing but its own weight. This sculpture is the first image of Guan Gong on horseback produced by LIULI and gives full expression to the awe-inspiring bearing of this celebrated figure of Chinese culture and history.

Spirituality and aesthetics go hand in hand in this representation of one of the most revered Indian goddesses. Saraswati, the deity of learning, knowledge, and wisdom, is displayed with her symbols and attributes in this high porcelain limited edition, which stands out for its rich embellishment. From the sumptuous crown to the rich dresses and headdresses, jewels, peacock feathers, and flowers decorating the wreath and peacock´s crest, everything is crafted and defined in great detail in order to emphasize the majestic figure of Saraswati.

This is not a decoration; it is a presence. Carved from solid camphor wood, the sculpture twists upward in a continuous, ribbon-like spiral—solid yet hollow, grounded yet reaching. Every curve follows the tree's original growth, so the grain flows like a map of years, warm brown tones deepening into shadowed crevices. Hand-carved edges retain the wood's raw undulation; no two pieces share the same silhouette. A flat black circular base locks it firmly to the floor, allowing it to stand tall in living rooms, entryways, or gallery corners without a hint of sway. And there's a quiet bonus: camphor wood releases a faint, calming scent—subtle, natural, never overpowering. As a large-scale floor piece, it anchors open space with organic tension, filling empty corners with sculptural weight. Minimalist, wabi-sabi, or modern art interiors—it settles in like it was always meant to be there.

Narasimha is aptly sculpted here in the torso and lower body of a human with the face of a lion, having a dreadful wide mouth, projecting teeth and fiery eyes of rage and anger; blessing the devotees of fearlessness and carrying the iconic Sudarshan Chakra and Conch, carved stylistically in his rear hands.This crowned head is garbed in a short length dhoti, fashioned in diagonal stripes, with its ends falling on either sides and ornamented in all powerful jewels.

The Sankha or conch represents the power of music in bringing new life or new beginnings in Hindu tradition. This beautiful and intricate brass conch shell sculpture portrays the Five Dhyani Buddhas, who embody distinct elements of enlightenment and wisdom in Tibetan Buddhism. In Buddhist practices, this artwork represents spiritual balance and enlightenment. When put atop a conch stand, this conch may also be utilized to store and dispense sacred water during ceremonies.