Some objects maintain their form almost unchanged over time, and the design’s role is to interpret and refine their archetype. This holds for everyday items that are so frequently used that their shape becomes self-evident: a fork, a plate, or a chair. Their form reflects their function, and their aesthetics must never be compromised. This principle has always guided our design approach—creating flowing designs directly inspired by natural ergonomics.
Ta, a monosyllabic word as simple as a child’s first utterance in Chinese, means ‘him’ or ‘her.’ It signifies human identity, irrespective of gender, universal and inclusive. A chair, indeed, is a distinctly human object, molded to serve its purpose. It follows the contours of the body, whether for dining or working at a table. It offers a resting position, suspended between wakefulness and slumber, a place to pause or enjoy the company of others. With Ta, we aim to provide an elegantly simple response to the need for both ergonomics and aesthetics.
Ta’s design draws inspiration from the style of the 1950s but infuses it with a contemporary touch—honest and democratic design, made possible through an advanced yet relatively straightforward construction technique. It offers a wide array of solutions, with its strength lying in its flexibility. Three solid, flowing, and sinuous shells can be paired with five curved metal tubular bases featuring wooden elements, each characterized by essential design. The color palette reflects contemporary preferences, and the option to add seat pads to the shells allows for numerous customized combinations.
