Nicolette Mayer Wallpaper

Topkapi Palace, Iznik style pottery, and the beautiful carpets in Palaces old and new, we tried to dream and reimagine an ideal Ottoman-inspired new kind of chic. Colors that are fresh and modern, blended with themes that date back hundreds of years, Topkapi Garden includes sumptuous velvets and Belgian linens, with metallic grasscloth wallpapers and wall panels. Wall panels that are uniquely designed to be cuttable at popular and 9', 10' and 12' wall heights, solving many typical issues designers have. Topkapi Garden is a pattern inspired by the Iznik tiled wall mural at the Topkapi Palace, in Istambul, Turkey. A garden of cypress trees, tall as minarets and underplanted with hyacinth bells, has been immortalized on tiles in an alcove in the harem, once the most private – and forbidden – part of the palace.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology, fascination for creating timeless prints, that are classic, yet perfectly on-trend.

This is the most beautiful mural! It took a while to get in but is well worth the wait. We framed this on our Dining Room wall as a feature piece. Stunning!. Denise. MO. Tue May 20 2025

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; and fascination for creating timeless prints, that are classic, yet perfectly on-trend.

With impeccable attention to intricate details, Dapper is a wild damask stripe inspired by the handmade Venetian velvets created with hand-applied wooden printing blocks by ancient textile techniques in small workshops made famous by houses like Fortuny and Luigi Bevilacqua. Our inspiration comes from ancient Italian works of art and the rich cultural heritage of Renaissance Venice, the historical Venetian velvet arts, sumptuous patterned velvets, brocades, and damasks that adorn the walls of the city's grandest palaces and richest churches, covered tables, and upholstered furniture. Dapper starts with true historical reference, pays homage and tribute to its origins, and to collectors who know the original work and then embarks on the artistic license, contemporary interpretation, and re-Imagineering. Dapper is bold, edgy, sumptuous, and both modern and timeless.

It is absolutely beautiful Completely changed my closet Ordering more!!!!. Dorinda. Fri Dec 05 2025

“Topkapi Palace, Iznik style pottery, and the beautiful carpets in Palaces old and new, we tried to dream and reimagine an ideal Ottoman-inspired new kind of chic. Colors that are fresh and modern, blended with themes that date back hundreds of years, Topkapi Garden includes sumptuous velvets and Belgian linens, with metallic grasscloth wallpapers and wall panels. Wall panels that are uniquely designed to be cuttable at popular and 9', 10' and 12' wall heights, solving many typical issues designers have. Topkapi Garden is a pattern inspired by the Iznik tiled wall mural at the Topkapi Palace, in Istambul, Turkey. A garden of cypress trees, tall as minarets and underplanted with hyacinth bells, has been immortalized on tiles in an alcove in the harem, once the most private – and forbidden – part of the palace.”

Royal Delft Flora & Fauna is inspired by the iconic Dutch tulips associated with stately Royal Delft Tulipieres. Tulips were in cultivation since the 13th century, but only really became a passion of collectors among aristocrats in the 1600s’ when Turkish traders introduced them to the Dutch. The tulip craze in the 17th century became so fevered that the bulbs were traded as currency, and theft of the flowers triggered harsh penalties. Mixed with simple wildflowers and scattered in all directions, Flora & Fauna is considered a symbol of happiness and joie de vivre! Flora & Fauna pays homage to artist Vittorio Accornero, whose ‘Giardini di seta’ works for Gucci inspired a generation.

Vicki. Raleigh, NC. Tue Sep 01 2026

The provenance of Royal Delft “William & Mary” is the commission in the 1600s of thematic tile plaques (manufactured in Delft) based on a design by Daniel Marot, who worked as a principal designer to William of Orange and also worked at William and Mary’s court in England and who may have played a pivotal role in furnishing and decorating the Water Gallery at Hampton court palace. A blue Delft vase is within a three-lobed ornament or trefoil surrounded by a cartouche with large curling acanthus leaves and flowers. Filled with diamond ornament on either side of the trefoil, a bird sits on the cartouche. Delft tiles were often used to seal damp walls from moisture and as Stadholder of Holland and King of England, William III decided to tile the walls on the Thames-side rooms to keep out the dampness with exceptionally beautiful glazed tiles. The project was never completed, as Mary died in 1694, and the rooms were demolished as early as 1700. The plaques sold piece by piece and disappeared, only resurfacing in 1923 when an art dealer put ten for sale. They are now housed at various museums, including the Metropolitan Museum, Rijksmuseum, Default, Cophenhagen, and Sevres. With reverence for the originals and equal parts artistic license, we carefully resorted their beauty on a new medium.

Anonymous. Thu Jan 08 2026

Maria. Sag Harbor, NY. Tue May 30 2023

With impeccable attention to intricate details, the Palace damask is inspired by the handmade Venetian velvets created with hand-applied wooden printing blocks by ancient textile techniques in small workshops made famous by houses like Fortuny and Luigi Bevilacqua. Our inspiration comes from ancient Italian works of art and the rich cultural heritage of Renaissance Venice, the historical Venetian velvet arts, sumptuous patterned velvets, brocades, and damasks that adorn the walls of the city's grandest palaces and richest churches, covered tables, and upholstered furniture. Palace damask starts with true historical reference, pays homage and tribute to its origins, and to collectors who know the original work and then embarks on the artistic license, contemporary interpretation. Palace damask is bold, edgy, sumptuous, and both modern and timeless.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology, fascination for creating timeless prints, that are classic, yet perfectly on-trend.

The Royal Dutch Delftware factory, “De Koninklijke Porceleyne Fles/Royal Delft” was established in 1653, at the beginning of the Delft movement, creating unique blue and white ceramics and is the last remaining original Delftware factory. The world-renowned Royal Delftware is still entirely hand-painted according to a centuries-old tradition, and as such, the brand has created certain iconic pieces that are recognized world-over by collections. The inspiration for ‘Collections’ is the Royal Delft collectors themselves—their passion, obsession, love—we hope as they add pieces, to eventually assemble a complete collection of beloved Royal Delft. They will reference this pattern as their map. Inspired by the uniqueness of each piece, Royal Delft Collections is an assemblage pattern of key pieces of the Delft blue and white plates, wall plaques, vases, and other key pieces of the original blue collection.

Bloom is a new timeless contemporary floral. Magnolia blossoms, thick and lush, set in a multilayered textural and layered background. A sophisticated floral for the most discriminating interior designers in the world. Symbolizing Yin, or the feminine side of life, magnolias have an essential purity and dignity. Strong yet frail, they are deceptive, seductive, and heady with fragrance. Bloom uses a delicate tree branch motif with fully open flowers to buds, for a neutral but intriguing effect. Colors include porcelain blue, wheat, a dove gray, brick red, and a turquoise blue gray. Like the Blossom Fantasia pattern, Bloom is bold yet refined, with aging that gives dimension and almost completely hides the seams.

Inspired by the modern art installations in guilt ballrooms such as The Hall of Mirrors in Versailles, Ballroom is a large-scale modern damask that is at home in modern or traditional environments with soft powdery pastel palate and tone-on-tone shadings.

Passion is inspired by France, by the opulence of Walls of Roses a la Dior Paris 2012, the joy and opulence of weddings (including our own in January 2015) where our friend, owner of Passion Growers, delivered 3500 opulent roses that took over our house with astounding color and lush fragrance. Inspiration includes how modern and rococo mix, modern art installations in guilt ballrooms such as the hall of mirrors at Versailles. The juxtaposition of modern and classic, exuberance and constraint. Colors and color names are inspired by Laduree macarons, in modern French colors in acidy tones that are powdery and refined for a worldwide market.

Royal Delft Tiles are famous symbols of Royal Delft, the city of Delft, the country of Holland, the iconography of ships and flowers and windmills, and of the love of ‘blue and white’ cultures everywhere. This pattern is inspired by all those who love blue and white. The soothing tones of Portugal, China, Holland, Sweden, and many more. The perfect imperfections of tiles, each collected and beloved now can go hand-in-hand with the wallpaper that collects some of these together. Add to your collection of new tiles with antique tiles you discover in little antique shops and alleyway markets. Mix fabric and wallpaper with actual tiles for a layered, textured bathroom, bedroom, or kitchen. It is a dream to work together with the artists at Royal Delft to bring the iconic looks made famous over 400 years of porcelain creation to new categories of wallpaper and fabric.

Elements is a pattern featuring an original blue vase with all of the elements of iconic Royal Delft. The birds, still life flowers in vase, various borders, and a modern triangular geometric peek-a-boo in various shades of Delft blue. This seductive and thoroughly modern pattern is fresh, fun, timeless. Entirely hand painted in Holland in the same workshop since the 17th century, Royal Delft iconic porcelain is world renowned and beloved for mixing everyday elegance with royal allure. For the first time in 400 years, we bring this iconic look to fabric and wallcoverings in modern and fresh patterns.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; fascination for creating timeless prints, that are classic, yet perfectly on-trend.

Royal Delft Imperial is inspired by the stately Royal Delft plaque collections lining dining walls, staircases, hallways, and home entries which passionate collectors placed in formation on the walls of grand houses, palaces, and refined apartments, showcasing their curating skill and porcelain love! Among aristocrats from the 1600’s onward, the blue and white craze in the 17th century became fevered. The passion for Delftware is still a passion among collectors. Royal Delft Imperial pays homage to this tradition, as it places a signature plaque information between a modern damask stripe that is a stand-alone wallpaper, or a canvas for a plaque and plate collection. Have fun with it! Mix styles, family portraits, and modern art...

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; fascination for creating timeless prints, that are classic, yet perfectly on-trend.

"Inspired in part by Zaha Hadid’s neo-futuristic architecture and the numerous modern architects worldwide who interpret the future into new concepts of residential and commercial space, we are inspired by the challenge of what patterns would organically and symbiotically exist within the interiors of such inspired modern spaces. Tripod is a bold, futuristic pattern with multiple perspective points and fragmented geometry to evoke the chaos of modern life. Trion represents triangles and prisms that reflect light. One side draws in light and the other disperse it." --Nicolette Mayer

Colorpop is very much an abstract midcentury modern pattern that embraces today’s most timely trends toward muted, earthy color–gray blended with warm colors, and a rise in colors that are associated with optimism, like rich inviting yellows and oranges, cool blues, pinks, and beiges. Colorpop’s Mod vibe mixes the French early 60’s mod of Courregges, psychedelic foil 60’s wallpapers, vibrant color pale, and midcentury influences.

Royal Delft Heritage is a tossed floral pattern that we designed, inspired by many of the signature elements of Royal Delft’s master painting techniques: leaves, chrysanthemums, and branches. These small elements together work as an all-over floral in crisp blue and white in a manner that is timeless and a reminder of how brief life can be. Scattered in all directions, the symbolic chrysanthemums have a provenance originally cultivated in China. The chrysanthemums made their way to Japan by Buddhist monks in 400AD. Soon after their introduction, the Japanese were so enamored with the beautiful flowers that they were soon adopted as the Emperor’s crest and official seal. ‘Kiku’ is the Japanese word for chrysanthemum, and every year there is a National Chrysanthemum Day, which is referred to as ‘the festival of happiness.’ the chrysanthemum, as painted by Royal Delft master artists in Delft blue, is known as a symbol of peace and tranquility.

A modern approach to the ancient tradition of hand-painted plum and cherry blossom wallpaper panels. For those who want a chinoiserie mural look with the ease of a roll wallpaper. On metallic grasscloth, the layered blossoms and branches represent a modern approach to chinoiserie. The inspiration of the plum or cherry blossoms represents the delicate fragility and the beauty of life. It’s a reminder that life is almost overwhelmingly beautiful but that it is also tragically short. When the cherry blossom trees bloom for a short time each year in they serve as a visual reminder of how precious and how precarious life is. Sophisticated chinoiserie for the most discriminating interior designers in the world.

Inspired by Ottoman Palaces, for the 2019 Kips Bay Showhouse in Palm Beach, in an entry and living room designed by Cindy Rinfret, we created multiple additional thematic patterns that can inspire designers to mix, match and customize with Iznik Overdye, Byzantine, and our signature single mural, Topkapi Garden, with multiple cuttable borders and a base that coordinates to Iznik Overdye. Each new pattern affords complexity, subtlety, and timeless elegance.

Inspired by the timeless themes of Royal Delft, Inspiration is a pattern featuring Royal Delft signature birds and flowers, including chrysanthemums in various shades of Delft blue. Entirely hand-painted in Holland in the same workshop since the 17th century, Royal Delft iconic porcelain is world renown and beloved for mixing everyday elegance with royal allure. For the first time in 400 years, we bring this iconic look with our unique modern designs to fabric and wallcoverings in exciting, timeless blue and white patterns.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; fascination for creating timeless prints, that are classic, yet perfectly on-trend.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; fascination for creating timeless prints, that are classic, yet perfectly on-trend.

"Modern Steps is is a fun modern Cubist geometric with multiple layers of texture and color. The shape has been around for hundreds of years but this step pattern is revolutionized with our approach to color, aging, texture, and elegance. Modern steps is a fun, nuanced geometric that pairs so well with Pop Art, a modern stripe." --Nicolette Mayer

Inspired by traditional arabesque pomegranate patterns used in Turkish tiles, Byzantine is a floral Ornamental pattern that evokes tulips, pomegranates, and ribbons- themes used commonly throughout history in Ottoman decorative arts such as tile work, and Iznik ceramics.

Masterpieces Tulip is a pattern featuring the rarest, most prized Royal Delft blue and white pieces. Entirely hand-painted in Holland in the same workshop since the 17th century the ‘Tulipiere’ pyramid vases consist of stacks of ever-smaller elements where flowers can be put in each opening. The imposing flower pyramids are made to follow the late 17th-century royal pyramids with royal allure. The Royal Delft Masterpieces include the Tulipere, lion jar, and large ginger jar with finial, which in this wallpaper pattern, with perfectly placed flowers in pastel tones against an aged backdrop, makes for stunning room settings.

Born with a natural eye and talent for design, passion is evident for the complexities of fabric, texture, and technology; fascination for creating timeless prints, that are classic, yet perfectly on-trend.

Royal Delft Masters is inspired by the work of one of Royal Delft’s master artists, with beautiful flowers, leaves, blossoms, and other Royal Delft elements floating in an ephemeral, peaceful space. This particular ‘hand’ is by a master artist who painted the original artwork entirely by hand in black on white paper, which was then reinterpreted by our own artists, with the aspects combined and colored and put into repeat as an incredible wallpaper pattern. The training required to become a Royal Delft master painter, according to a centuries-old tradition, lasts about one year. After four or five years, he or she will have mastered all of the various Delft blue techniques. The total training to become a master painter takes about ten years. The master painters paint custom-made orders and the more complicated decoration techniques, such as this one. It is a dream to work together with the artists at Royal Delft to bring the iconic looks made famous over 400 years of porcelain creation to new categories of wallpaper and fabric.

On the banks of the Mae Ping River, in Chiang Mai, a world of adventure and discovery was mine. In an ancient temple and local artisan villages, I found a tile fragment that I fell in love with. An important symbol in both Jainism and Buddhism, the Infinity Knot within the pattern Chiang Mai, symbolizes that there is no beginning and no end, a bold mid-century retro symbol that is hip and yet timeless.